Showing posts with label tonal columns. Show all posts
Showing posts with label tonal columns. Show all posts

Tuesday, 1 April 2008

Module 2, chapter 2 - tonal column in stitchery, and part of chapter 3










I ended up doing two stitched columns. The one on the left was the first. I kept adding to it - a bit of black here, some more white there, until it threatened to grow to several inches deep. So I tried another - and pretty much the same thing happened. There's only so much squinting I can do in one lifetime.

Onto some blackwork










I tried the sample on the left and while it gives the general idea I figured I could do better.
I drew the sheet using pink and black so I could tell one segment from another. I think it works out better and shows the concept more clearly.











Left - showing tone changes from different spacing.
Right - showing tone changes from differing thickness of thread but identical pattern.
Chapter 3 - machine stitching










Left - zigzag stitch, width 3.5 length from 0.3 to 4.0

Right - zigzag as before but adding increasing gaps between lines of stitching

More samples until the machine started to play up.


Module 2 has begun








The animal markings I have chosen are pythons. To the left is a typical example.

I made some pictures based on the list of words. I intend to make a few more a little later on, but these are a start.














Top left picture (from top left, clockwise) : sandpaper, candle wax swirls, then black and white pastels added and smudged; reverse print from next picture (taken at the point when I didn't think the next one was going to work); sandpaper, wax dripped over with some gaps left, black acrylic paint poured over, wax removed when dry; wax dripped on to palette paper, black paint poured over, wax removed when dry


Top right picture (from top left, clock wise) : 'snakes' of candlewax as a resist, snakes of thick black paint, then thin white; 'hissing' flicks of white paint a la Pollock; daubs of polyfilla that refused to do anything remotely interesting like crack on top of sandpaper; candlewax resist covered by white paint


Third picture (from top left, clockwise) : boring experiment in paint shop pro; polyfilla and black acrylic splodged on - but it refuses to crack even under duress; sandpaper with swirls of polyfilla (intend to do some reverse prints from this that may be a bit more interesting); more boring polyfilla


CHAPTER ONE - TONAL COLUMNS



















From left to right: a piece of dark paper was photocopied, then the photocopy was copied etc each one getting lighter and lighter; tracing paper and tissue paper strips; patterned scrapbooking papers; white pen stripes on black paper; black scribble on white paper; black dots on white paper

















From left to right: black felt tip pen and ruler; flower stamp and black ink; white acrylic paint, white pen, white pastel and white pencil (a la Monet's waterlilies); black acrylic paint smeared on with piece of card; more very oredly white ink on black card; black paint splattered































From left to right: black watercolour paint on white paper with added white pencil; thumbprints in black paint; white acrylic paint; various shades of pastel; black paint applied with rag; black watercolour